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TOM immediately returned to his original body and questioned if it was all a dream.
After the battle, TOM returned to the crashed ship but discovered only the skeletal remains of the occupant. TOM used a giant robot that he named "BIG TOM" to battle the Trabogog, the giant monster that was plaguing the planet. He was given a new body by the occupant of the crashed ship and was tasked with battling a giant monster. He discovered an abandoned settlement and crashed ship. The arm was noticeably more archaic and bulky compared to his original design, although it functioned in the same manner.ĭuring the comic book Trapped, TOM was able to leave the Vindication and explore Shogo 162. After landing on Shogo 162, the restored SARA used the abandoned facility to produce a new arm for him.
He was then forced to sacrifice the Absolution in order to destroy the Intruder once and for all. However, the switch from TOM 3.5 to TOM 5 has never been explained.ĭuring the events of The Intruder II, TOM 5 was forced to amputate his left arm after the Intruder's attack rendered it useless. TOM 5's debut brought with it the return of SARA, a new Absolution, and an entire revamp of the block. TOM 5 was announced during MomoCon 2013, and he assumed the position as host of Toonami on April 27, 2013. In addition his right chest-plate became slightly exposed and his left arm was burnt.
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There was a huge burn mark and a crack over his visor, as well as a few scratches on his helmet. Instead of the blue and white color scheme that most TOM incarnations had in the past, TOM 5's body was bluish gray and silver.Īfter the events of Countdown, TOM 5's body became heavily battle scarred. He also had thrusters built into his back similar to TOM 4. He retained the lights on his forearm but his Nuclear-Reactor returned to his left pectoral. He lost the muscle definition from his third body but retains overall human proportions. I got the intelligence that is usually sorely missing from big-budget Hollywood action films although I could have done with a bit more respect.TOM 5's design is considerably trimmed down compared to his previous incarnations, appearing much more streamlined and economical. As with most genre-mixing films, there is something for everybody. "The Adjustment Bureau" has pretty city-scapes and pretty people playing more profound characters than pretty people usually play. At least there's intelligence to the story but unfortunately no subtlety. Although intricate might not be the best word because there's nothing here for us to figure out the film lays everything out well in advance, and over and over again in case you missed it. All running around an intricate maze of New York architecture.
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For us, questions of free will, fate, soul mates, success and pre-defined destinies abound. But David wants the girl-a beautiful girl-but just a girl nonetheless. Just to keep a sense of the intrigue afloat, I'll define "they" as the men of "The Adjustment Bureau". Oh yes, the indefinable, ambiguous pronoun "they". David (Matt Damon) has met Elise (Emily Blunt) and based on one spontaneous kiss and one flirtatious encounter, he's determined that she's the one he's supposed to be with.
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Hollywood seems to have learned how to add a significant amount thought to their films, just with their usual dumbing-down procedures. I'm starting to like this new genre of science fiction romance that "The Adjustment Bureau" falls into.
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